|
Roger Bennett (1948–1997) was an Arrernte man from Central Australia, an actor, and a playwright. His best known works are ''Up the Ladder'' and ''Funerals and Circuses''. His works dealt with his life experiences, particularly the travelling boxing tents, where his father, Elley Bennett was a boxing champion during the 1940s and 1950s. Roger himself had also fought in the travelling tents. ''Up the Ladder'' was first performed at the Adelaide Fringe Festival in 1990, in a production directed by Bob Maza. The play subsequently moved to Melbourne, 1995, for a long stint at the Melbourne Workers Theatre〔 and came to Sydney in 1997 for the Festival of the Dreaming. According to the Sydney Morning Herald,
The fact that the play emphasizes positive aspects of the Aboriginal experience in travelling shows led at least one reviewer to criticize it as apolitical. Wesley Enoch "however argues that any play about Aboriginal people is political,"〔 stating that
In 2003, the play travelled to Tokyo. Staged by the Rakutendan Theatre Company and directed by Enoch (Ilbijerri Theatre Cooperative), the play used many Japanese actors. In ''Funerals and Circuses'', first performed at the Adelaide Festival in 1992, Bennett dealt with issues of racism and inter-racial relationships in a small, racially tense town in South Australia. The music of Paul Kelly was used in this production. Bennett was an actor as well as a playwright. He served as writer in residence at the Araluen Centre for Arts and Entertainment in Alice Springs and at Tandanya National Aboriginal Cultural Institute in Adelaide. Bennett's works are often studied in Australian high schools, including the New South Wales Higher School Certificate, for the issues they tackle. ==Bibliography== * ''Up the Ladder'' * 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Roger Bennett (playwright)」の詳細全文を読む スポンサード リンク
|